
A Community of Artists, Makers & Teachers
The Handweavers Guild of Pueblo brings together accomplished artists, designers, craftspeople, teachers, and lifelong learners working across the fiber arts. Our members weave, spin, dye, felt, design, stitch, sculpt, and explore techniques both traditional and contemporary. Their work has earned awards, appeared in exhibitions, been shared through demonstrations and classes, and—just as importantly—continues to evolve as members learn from one another and from artists beyond our community.
Meet Our Members
Explore the artists, makers, teachers, and learners who make up our Guild. Select a member below to jump to their full profile.

Lois Weaver
Weaver, Designer, Spinner, Dyer
Lois is a multi-talented fiber artist, widely recognized for her weaving patterns. She explores all aspects of fiber, continuing to learn and teach.
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Kelley Buck Scofield
Fiber & Mixed-Media Artist
Kelley works across spinning, weaving, felting, basketry and mixed media, often beginning with raw or locally gathered materials. Her work explores traditional fiber processes beyond traditional boundaries, incorporating handmade paper, copper, wood, natural materials and light.
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Who will be the next Guild member featured here?


Lois Weaver
Weaver – Spinner – Designer — Teacher



Lois is well known in the weaving community for her weaving designs, created for hand weavers to translate their fabric into lovely, one-of-a-kind garments. Her designs can be purchased online through her Etsy store, ZoZo Arts.

Kelley Buck Scofield
Fiber Artist • Mixed-Media Maker • Teacher
A Life in Fiber
Kelley’s life in fiber began about forty years ago at the Estes Park Highland Games, where she wandered into a Boulder Handweavers Guild demonstration and never left the tent. The next day she went looking for a spinning wheel. Instead, she was wisely steered toward lessons, beginning years of classes in spinning, weaving, basketry, felting, dyeing, and other fiber arts.
A chance television story soon introduced her to spinning Angora rabbit fiber. She spent the next eighteen years rescuing Angoras and spinning their extraordinarily soft coats—and became locally known as the “Dog Hair Lady” for spinning pet fur on commission.
After moving to a ranch in Southern Colorado, rabbits gave way to Corriedale/CVM cross sheep and Colored Angora goats. Raising fiber animals gave Kelley an unusually direct relationship with her materials: growing the fiber, harvesting it, preparing it, dyeing it, spinning it—and discovering what it might become.

Crossing Boundaries

Kelley has always been drawn to traditional crafts and tactile materials. As a child, she and her shop-teacher father shared a fascination with the old ways of making documented in the Foxfire books. For years, she didn’t think of herself as an artist; she simply wanted to touch materials and make things with them.
Her work changed when she stopped treating techniques as separate disciplines. Wood met weaving, fiber met mosaic, and handmade paper became sculpture. Desert Schooner—combining a twisted tree branch, mosaic, handmade paper and light—was a turning point, opening the door to work unconstrained by a single medium.
Today her work moves freely among spinning, weaving, felting, basketry, handmade paper, embroidery, wire weaving and mixed-media sculpture. She is especially drawn to natural and discarded materials—stones, sticks, fossils, plants, copper wire and paper—and to discovering what happens when unlikely materials and processes meet.
Selected Work

Handmade paper, wood & light
First Place, Beulah Fine Arts Show, 2019

Woven copper wire & stone
Second Place, Colorado State Fair Fine Arts, 2024

Felt, embroidery & mixed media
First Place, Colorado State Fair Fine Arts, 2024

Tapestry weaving with natural materials
Third Place, Colorado State Fair Fine Arts, 2026

Handmade paper, wood, mosaic & light
Honorable Mention, Colorado State Fair Fine Arts, 2024
Sharing & Learning
Kelley approaches teaching much as she approaches her own work: by sharing techniques, materials, and possibilities rather than asking students to reproduce a particular object. She has taught fiber and mixed-media arts in schools, guilds, craft stores, and community settings, with subjects ranging from spinning, weaving and felting to papermaking, natural dyeing, eco-printing and wire weaving.
She also gives programs and demonstrations, sharing traditional fiber skills with audiences at guilds, museums, schools—and occasionally unsuspecting people in doctors’ waiting rooms. She writes about fiber, craft, and the stories behind traditional techniques at SlowYarn.com, and sells her work at HomegrownArtworks.com.